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Snakes for the Divine Gets Me All High on Fire

Posted February 23rd, 2010 by DS Reviews

Most of you by now have heard at least one song from High on Fire’s new album, Snakes for the Divine, from their myspace page. If you dug the title track, or their single Frost Hammer, then you’ re going to love the rest of the album. Snakes, for lack of a better word, is bad-ass.

Combining HOF’s raw and thunderous sound with some extended song writing, Snakes for the Divine really drives home the fire and the thunder. Ghost Neck could almost pass as a thrash song, the band riffs for days on songs like Fire Flood & Plague, and the track Holy Flames of the Firespitter seals the deal with vocalist Matt Pike screaming “Firespitter” over and over in epic fashion.

There are 8 tracks total, which actually is perfect in my opinion. The last several albums I’ve purchased have upwards of 10 or 11 songs (sometimes many more), and it can be tedious to listen to albums with so many songs. Forget the length – just put the good shit on the album and leave the rest at home!

High on Fire definitely had something to say with Snakes for the Divine, and that something is “We’re going to melt your F***ing face off!”

95/100.

New Meshuggah Alive Disc Sounds Just Like a Studio Recording

Posted February 20th, 2010 by DS Reviews

I mean that in a good way, of course. I just listened to the entire thing and if I didn’t know any better, I would’ve thought that it was just a “mix tape” they put together. Even the guitars on Bleed are completely in sync (guitar players will know how amazing a feat that is).

I haven’t watched the DVD yet, but I’m sure the sound is just as good.

Friggin’ MESHUGGAH!

Heathen Return With Their New Album “The Evolution of Chaos”

Posted February 17th, 2010 by DS Reviews

I’ve been keeping tabs of Heathen over the past few months, getting teased every week with a new track or new piece of information about their latest album, The Evolution of Chaos. The album finally dropped in the United States yesterday, marking a 6 year time span since their last album, Recovered. Fans have been patiently waiting to hear new material from the Bay Area thrash legends, and the new album does not disappoint – already garnering album of the month awards overseas and recognition from the metal press.

Heathen’s current line-up is David White – vocals, Lee Altus – guitar (Exodus), Kragen Lum – guitar (Prototype, Psychosis), Jon Torres – bass (Laaz Rockit, Angel Witch, WarningSF, Ulysses Siren), and Darren Minter – drums.

Rooted in Thrash, but with flavors of Power Metal, Heathen have soaring metal vocals and, like Lee Altus’ other band Exodus, spend extended lengths of time crunching on metal guitar riffs. Most of you have probably heard the opening tracks on their myspace page – which feature a guest intro by Steve DiGiorgio playing sitar leading into an awesome opening track, Dying Season. The album alternates between epic and classic Thrash, demonstrated in tracks like Arrows of Agony and Fade Away. The average song length is around 6:30, if that is any indication of what the album has to offer, including an 11:10 song titled No Stone Unturned (again featuring a guess bass solo by DiGiorgio).

Like the situation with many Power Metal bands, Heathen’s following is large in Europe and the band already has European tour dates lined-up for May. I wouldn’t be surprised if they swing a few Bay Area shows sometime this year though.

The Evolution of Chaos marks a great return of a great band. Another monster metal album from the Bay Area! Overall score – 89/100.

Obscura’s New Album A Breath of Fresh Metal

Posted February 16th, 2010 by DS Reviews

I can’t remember the last time I was stoked about a new metal band coming out of Germany. Usually I’ll get an email from a German band saying, “Hey, check us out! We’re German (insert metal genre here)!” Of course, I’ll usually listen to their music because I’m a sucker, but my first impression is always the same: they sound like the villains from the Big Lebowski decided to start a mediocre metal band.

Obscura obviously deserve some recognition as a new global death metal band. Their style is a blend of new and old – almost what a modern Death might sound like today. Even some of their guitar riffs project a Death and Cynic vibe, and the fret-less bass most certainly adds to the feeling. For some reason, reverting to some tried and true techniques make them stand-out from the modern death metal “core” scene.

Cosmogenesis gets a 9/10 for Obscura’s great use of speed, variety and awesome guitar riffs that are rooted in classic death metal. The album is available for purchase and is streaming right now from their website. Obscura is on tour right now and will be in San Francisco on March 7th.

Fans of “Melo-death”, don’t miss this band.

Posted January 14th, 2010 by Ray Reviews

I’ve been sitting in front of the computer for the past hour listening to In Mourning’s upcoming sophomore album, Monolith, and I’m once again impressed by the band (and yes, I’ve had a bit o’ the green).  Monolith is a slick blend of straight up brutal death, melodic death, and progressive. I hate comparing a band to Opeth (everyone compares every death metal band to Opeth), but the  similarities are unmistakable.  They’ve got a great groove, plenty of chugging, death metal/black metal growls, and healthy portions of progressiveness and melody.  The thing is, they don’t come off as a blatant rip off of Opeth (not that that’d necessarily be a bad thing).  The band mixes it up a bit by conjouring a bit of Gothenburg (think Dark Tranquillity) coupled with atmosphere a la Insomnium.

The album unfortunately starts off a bit on the wrong foot when Tobais (lead singer/guitarist) ops to use some hardcore-ish vocals on the track “For you to Know.”  Thankfully, the vocals aren’t much a theme on the album, and only really appear on the opening track.  From there the album really takes off with the best track on the album, “Debris.”  In Mourning really pulls off all their trademarks with this tune: crushing riffs, brutal deep vocals, emotional interludes and melodies abound.  The next couple tracks are also in the same vein, but there’s a bit of a lull from there.  In comparison to In Mourning’s debut, The Shrouded Divine, the album just doesn’t quite have the impact.  It certainly doesn’t mean it’s not a successful album… I just wouldn’t consider it quite the masterpiece their debut was/is.

Regardless, the album sits at a low 4 stars, in my humble opinion.

If you’ve never heard of the band, I’d highly suggest picking up their debut.  You can also preview Monolith in its entirety at http://inmourning.net/monolith or check them out at http://www.myspace.com/in_mourning.

For those a bit lazy, here’s one of my favorite tunes off of their debut:

AM Conspiracy:
“For Fans of Drowning Pool”.

Posted January 12th, 2010 by DS Reviews

In other words, no one.

Alright, so they actually sound somewhat decent, for a Modern Rock band. I just listened to their entire album, the self-titled AM Conspiracy, and it wasn’t that bad. The album just came out today and compared to Drowning Pool, it’s friggin’ Mozart. It’s not that Drowning Pool was especially horrible, but it would’ve been easier to ignore them if every commercial and every radio station didn’t play Bodies non-fucking-stop. “Let the bodies hit the floor, let the bodies hit the floor, let the bodies hit the floor!” It was like someone won a “retarded lyrics” contest and their prize was instant fame.

Anyways, the slower songs are better than the “tough guy riff” songs, but unfortunately those aren’t on their myspace page. The opening track Revolution might as well be a Hatebreed song. Otherwise, the album plays out like a standard modern rock album with lots of choruses and hooks. There’s a song called Absence, which is probably the best track on the album. Dead & Gone isn’t bad either. Vocalist Jason “Gong” Jones sounds pretty solid, and versatile.

Overall, this is a solid hard rock album, but it may lack enough grit that hard rockers like and be too hardcore for fans of, say, Nickelback. If you like Godsmack, Hell Yeah, or anything from that genre, you’ll probably like AM Conspiracy.

New Miseration Sounds Fucking Awesome

Posted January 5th, 2010 by DS Reviews

I’m writing a review for an album I haven’t even fully heard yet, I’m that confident.

Miseration’s new album The Mirroring Shadow is the follow-up album to Your Demons – Their Angels, which was not a bad album, but wasn’t really an album that I could listen to over and over. It was closer to metal-core than I would’ve liked – it definitely doesn’t sound as epic and varied as Shadow does. Basically take epic Black Metal themes, combined with Bloodbath-esque riffs and Christian Älvestam’s brutal vocals and you have Miseration’s latest album.

Älvestam is just one of those guys that can do it all vocally – he can sing clean or growl like a beast. Miseration only features the latter – but when I saw him with Scar Symmetry two years ago he tore it up. Not to mention he was funny as hell after the show, talking it up with some of us lucky fans and telling us how every bit of food he’s had in America had a ton of cheese on it, in which he proceeded to extend and rub bellies with his band mates. Ha, I’ll never forget that.

The album is already out in Europe because they’re a bunch of European metal bastards, but it’ll be available on the 19th in the U.S. If you’re an eager beaver, you can pre-order the album from Lifeforce records, but don’t forget to swing by and hear the new tunes on their myspace page.

miseration

Razorhoof Want to Trample You With Their E.P.

Posted November 10th, 2009 by DS Reviews

2009 is going down in the books as the year for independent record labels. The Bay Area has its share of indie bands, but I’ve never seen so many in the “loud/noise rock” genre that all strive to be well, so loud. Inspired perhaps by the success of bands like High on Fire, Saviours and a number of other Bay Area rock bands, Monterey rockers Razorhoof just finished recording a 6-track self-titled E.P. and want you to hear it. The group managed to recruit Kowloon Walled City front man Scott Evans to assist with the recordings, and like his band, has the album available completely for free on their myspace page.

razorhooflive

Razorhoof draws inspiration from bands like Kyuss, Motorhead and Neurosis, giving the music a raw sound that’s driving and heavy in the rhythm section. The songs are more rock than “sludge”, but the distorted vocals and down-tuned guitars help seat the band nearer to the “noise rock” category. If you dig any of the aforementioned bands, or loud rock, then you will want to go check out Razorhoof.

Nile – Those Whom the Gods Detest

Posted November 3rd, 2009 by DS Reviews

How can I say this…this album blows. Seriously. Oh, and by “blows” I mean Blows all other metal albums into oblivion with the sheer firepower of its awesomeness. “Gods” is further proof of how Nile continue to out-do themselves. Without a doubt, Nile is seated firmly at the top of the Death Metal genre by virtue of their technical prowess, epic songwriting and utter magnitude with which they put everything together.

nilegods

Those Whom the Gods Detest is everything you’d expect from a Nile album: Crushingly-Brutal drumming and guitars combined with epic Egyptian themes that would make even the Pharaoh Ramses cower in fear.

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Review of Divinity's Upcoming Album "The Singularity"

Posted October 15th, 2009 by DS Reviews

&divinity band

If you haven’t heard of Canada’s Divinity, there’s a good chance that you will soon. After discovering them on Harmony Central’s music forum (check out the email Ray sent out afterwards), we contacted the band and were fortunate enough to obtain an advance copy of the tracks from their upcoming sophomore album The Singularity. We were impressed, to say it plainly.

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Megadeth's Endgame Album Review

Posted September 18th, 2009 by DS Reviews

The new Megadeth album Endgame came out this week. Overall, I was pretty impressed with the musicianship – especially with new guitar player Chris Broderick. The opening instrumental tune, “Dialectic Chaos” is full of harmonies and classic metal riffs, and totally reminds me of “Transylvania” by Iron Maiden – in a good way. The guitar solos on this album and the harmonies are absolutely shredding. There is no shortage of driving rhythms and there is plenty of double-bass goodness to go around. “Head Crusher”, “This Day we Fight!” and “Bodies” are sure to be the favorites of riff-hungry Megadeth fans.

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Lamb of God, Suicidal Tendencies, Children of Bodom, Municipal Waste and God Forbid April 4 @ San Jose Event Center

Posted April 10th, 2009 by DS Reviews

In what can only be described as an EPIC metal show, Lamb of God, Suicidal Tendencies, Children of Bodom, Municipal Waste and God Forbid brought the house down at the San Jose State University Event Center. The crowd was fantastic, the sound was killer and no one we know was arrested.

If you’ve never been to the San Jose Event Center for a concert then you’re in for a treat. There basically are no bad seats in the house and even though it’s a big arena, it doesn’t feel like there are any “cheap seats”. The sound people there did a killer job with the mixing. The crowd was totally into it. I retract my previous statement about San Jose metal heads being somewhat lame. You hooligans (and “hooligals”) are an unruly bunch and know how to rock the f*** out when it comes down to it. I’m pretty sure that your energy helped make the show as awesome as it was.


SJSU, how tranquil
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Exodus + Mantic Ritual at the Voodoo Lounge

Posted December 15th, 2008 by DS Reviews

I arrived solo at the Voodoo Lounge last Tuesday night to watch Exodus rock the Bay Area on their last stop of this year’s tour.‚ I had never been to the Voodoo Lounge before, but the place seemed alright.‚ The stage is kind of tucked away in the corner so the space where the band can interact with the crowd is a little smaller, but on the plus side you can see the stage from every spot in the venue, even the bar.‚ I was a little disappointed at the lack of enthusiam in this crowd, maybe it was because the show started so late, but people just seemed f***ing out of it.‚ Even trying to talk to people there, no one said anything.‚ Meh, maybe I just haven’t experienced San Jose enough…

I came to the show a bit late and missed the first band, and most of the second band, but I did catch one of my new favorite bands:‚ &&Mantic Ritual&&.‚ I’m 99% certain that these guys devised some sort of a teleportation machine, something similar to what Jeff Goldblum had in &”The Fly&”, and tried to teleport themselves.‚ Only with these guys, instead of a fly sneaking in to the machine as they were about to teleport, they piled a big ass heap of thrash metal records from 1985 and hit the &&GO&& button. ‚

They may not be old enough to drink, but they’re old enough to kick some serious old school ass.‚ Their live show is pretty awesome, but unfortunately the crowd sucked, so damn you San Jose if this band doesn’t return to the Bay.‚ I was surprised to find out later that these guys are signed to Nuclear Blast!‚ Dude!? ‚

Exodus took stage around 11 and proceeded to rock the house with a lengthy set of newer and older material; they played some songs from Deathamphetamine and Tempo of the Damned, and older songs like Strike of the Beast and Toxic Waltz.‚ The crowd started to wake up about this time, thank god, and the pit was pretty out of control for such a small venue.‚ Sometimes you get security stepping in at these small venues to break up the pit, but they just stayed back and watched the mayhem.

The sound was alright, but the vocals were lost in the mix and my ears are still ringing from the snare drum and the left guitar speaker cabinet.‚ Overall, the show was pretty sweet but the crowd could’ve been better.‚ You can’t win them all I guess…although someone was enjoying the show enough to bootleg it:

Amon Amarth Rocks the House at Slim’s – Oct. 3rd 2008

Posted October 4th, 2008 by DS Reviews

Slim’s club in San Francisco played host to the mighty Amon Amarth on their Twilight of the Thundergods tour. 3 other bands, each in the vein of death metal/folk metal accompanied them: Ensiferum, Belphegor and The Absence. Amazingly, we had not seen any of these bands live yet, but we heard plenty of good things. Even though it was raining outside, this show was hot and sweaty – and packed. I watched some young lady pass out next to me and get carried out the front door (this seems to happen near me a lot), probably from too many jager shots. Aside from that mini-drama, the people at the show were cool and most everyone rocked their balls off. I also left the show with a new found appreciation of the light operator, who is completely out of control and must be borderline spastic. Next time I’m going to video it.

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